tag:blogger.com,1999:blog-4108394670961527552.post-64393842707654390712007-12-01T09:40:00.000-05:002007-12-01T09:51:37.386-05:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_QXRm8WxqwVE/R1F0C7UPX4I/AAAAAAAACbc/1R5dioJCRlY/s1600-R/radio.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_QXRm8WxqwVE/R1F0C7UPX4I/AAAAAAAACbc/EbrvJW2Mmu8/s400/radio.png" alt="" id="BLOGGER_PHOTO_ID_5139016243437592450" border="0" /></a><br />Long ago and far away, I did this radio show. Record companies were releasing a lot of 12 inch singles, and on the reverse side they had dub verions, or bonus beats or whatever. I had some fun playing them and mixing them. Some very early scratchin' as well, but not by me, but by Malcolm McLaren. Then I went on into some harder stuff.<br /><br />Music included: Kraftwerk, Alisha, SOS Band, Johnson Crew, Malcom McLaren, Imagination, Waterfront Home, China Crisis, Ear-Ons, Group 87, Mitchell Froom, Cure, REM, Psychedelic Furs, Modern English, Minimal Man, Cramps, Tom Tom Club and a lot more.<br /><br />Right click to download, click to listen right away, always better with iTunes:<br /><a href="http://www.uvm.edu/%7Easnider/listen/cmk840516radiomix.mp3">http://www.uvm.edu/~asnider/listen/cmk840516radiomix.mp3</a>Alfred Charles Sniderhttp://www.blogger.com/profile/16478595639198105911noreply@blogger.com