Try it yourself. There is no playlist. I think I can understand why, it would have been hell to read off all of the parts of this program.
Download or listen right away:
http://www.uvm.edu/~asnider/listen/cmk940608swoon.mp3
Ninety minutes of sounds and electromagnetic beams designed to influence the thoughts and feelings of innocent people. These are mp3 files of random programs from the collection.
Test Dept's formation in 1981 in the decaying docklands of South London, was an urgent reaction to the materialistic drift and reactionary conservatism of the prevailing musical and political culture. TD rejected the conventional and developed a style that reflected the decay of their surroundings scavenging the unregenerated wastelands for raw materials, and transforming found industrial items into designed, sculptural instruments. Suitably armed they forged a hard rhythmic sonic battery, fusing found sound samples and cutting edge electronics in the construction of a dynamic physical totality. Their infamous sonic assaults were challenging and demanding for audience and performers alike, a test of physical endurance that journeyed through the sonic pain threshold and into a cathartic energy release. The 'Stakhanovite Sound' was a furnace that forged an attitude of total collective commitment, embracing the spirit of punk with an avant revolutionary sensibility that sought to challenge the status quo. It was the antithesis of commercial record industry values. http://testdept.org.uk/td/history.1.htmlMusic included:
The deepest throb of electronics pulse and waver beneath six scraped strings. The acid sear of 3rd-eye-aimed lead guitar strikes out: destination - elsewhere. The car-start buzz, the treated feedback trill, the paradigm blast of Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella. In the 18 years since this Nurse With Wound debut LP, they remain unequalled in terms of sheer outsider invention.Housed in a Dada-spewed sleeve of sado-slave imagery and eye-popping surrealist collage, Chance Meeting... (Lautreamont's famous reply to "What is Surrealism?") single-handedly created and defined an aesthetic and was blamed for plenty more. Inside was the near-mythical Nurse 'list' - an A to Z of avant-whup and visionary excess, name-checking the likes of Group 1850, Brainticket, This Heat, Yoko Ono, Cromagnon, Faust, John Cage..."Categories strain, crack and sometimes break, under their burden", reads the text, "Step out of the space provided." http://brainwashed.com/nww/words/wire1997.htmlHere is the bio from wikiland:
Nurse with Wound (or shortened as NWW) is the main recording name for British musician Steven Stapleton. Nurse with Wound was originally a band, formed in 1978 by Stapleton, John Fothergill and Heman Pathak.[1][2] The band ranges in many genres such as avant-garde, industrial, noise, dark ambient, and drone. Their early recordings, all made quickly, were heavily influenced by free improvisation and Krautrock and were generally considered industrial music, despite the objections of the group.[edit]By 1981, only Stapleton was left from the original trio and he now regards 1982's Homotopy to Marie, as being the first proper Nurse with Wound release[citation needed]. There are now over 40 full length NWW titles. Stapleton's fondness for dada, surrealism and absurdist humor are demonstrated in much of NWW's output, which, though it draws directly on a wide assortment of genres (including cabaret music, nursery rhymes, John Cage, The Beach Boys, krautrock,[3] ambient music,[4] and easy listening[5]) retains a distinctive and recognizable aura. Musique concrète may be the most prominent touchstone, due to Stapleton's frequent, and often humorous, use of creative tape loops and editing. This aesthetic is fully represented in the artwork on the album covers, virtually all of which is created by Stapleton, mostly under the pseudonym "Babs Santini".[6]
RALPH RECORDS (1972- )Ralph was officially launched by The Residents in 1972 with the release of the "Santa Dog" double 7-inch. At that time, the newly formed The Cryptic Corpration took over the label with visions of running it as a legit record company and not just a vehicle for Residents recordings. During the following years Ralph Records became the home of Snakefinger, Tuxedomoon, Fred Frith, Renaldo & the Loaf, MX-80 Sound, Yello, Art Bears, Rhythm & Noise, Hajime Tachibana, Nash the Slash, Clubfoot Orchestra and, of course, The Residents.In 1986, The Cryptic Corporation, having undergone management shakeup, felt the label business was no longer working as a business model and that it was important to find better distribution for their star act, The Residents. So all artists were released from their contracts and the label was shut down. The Residents were moved onto the higher profile RYKO label for the USA, Torso for Europe, and Wave for Japan.So the Ralph Records office was permanently closed.Music included:
Or so The Cryptic Corporation thought.
In 2010, the interest in physical product had become very weak in a culture now obsessed with the availability of music via download. Instant gratification was a difficult monster to fight. But The Cryptic Corporation felt there was still a reason to have items that one could hold in sweaty hands. In the fall of 2010 they unlocked the long bolted door of RALPH RECORDS with the resolve of once again making vinyl LP's with 12" covers one can hold. CD / DVD and downloads would also be available.
Late in the summer of 2010, Ralph Records was again launched as a record company. http://www.residents.com/historical/page85/page90/page91/page91.html